About.

Coming from a musician's family, I played various instruments from age five and developed a keen interest in sound and sound engineering when I figured out I could select some instruments over others when listening to The Beatles on one loudspeaker only... After a few years studying Tonmeister at the University of Music and Performing Arts in Vienna, I moved to London gaining an MA in Sound Design at the National Film and TV School. After a short stint as a sound editor at Soundmonsters, and a year as a Digital Product Specialist at Euphonix (later bought by Avid), I ended up at De Lane Lea as a Mix Tech, where I worked on numerous high profile movies, like "Skyfall", "Hellboy 2", "Captain Philips" (nominee for Sound Bafta and Academy Awards) and "Harry Potter and the Deathly Hallows". A few years later I got promoted to Re-Recording Mixer and have been working on some amazing projects like oil-painted animated feature film "Loving Vincent"

( BAFTA and OSCAR for best Animation film nominee), Billie Piper's feature film debut "Rare Beasts", Elliot Hasler's "Vindication Swim" (Kirsten Callaghan, John Locke, Victoria Summers) as well as numerous TV series' like "Pennyworth", "The Rook" and "The Feed" among others.

Moving to Lipsync Post I mixed a number of feature films including Neil Marshall's "Duchess" (Charlotte Kirk), "One Life" (Anthony Hopkins) and "Chief of Station" starring Aaron Eckhart, Olga Kurylenko and Alex Pettyfer.

Since going freelance I mixed "Diary of a Woman" by Swiss director Simon Aebi as well as various short films.... I have also edited the  dialogue on that film as well as on Portuguese TV Series Espia S2